The New Project by Lynn Adamo

IMG_1782I'm embarking on a series of new works, in collaboration with my friend Rebecca Buchanan. We are going to do a "call and response" — I'm interpreting works Rebecca paints or prints, and she'll interpret works I create in mosaic. We are also talking about doing one literally collaborative work where we both contribute to the same piece! For my warm-up, I set out to interpret a monoprint Rebecca made that Bob and I bought, because we loved it immediately at first view. The monoprint is untitled, but I decided to name my piece "You and Me". I felt the two houses had distinct personalities, and I am using them as a metaphor for Bob and me. This series will be exploring what home means to both Rebecca and I. Rebecca has been exploring this concept for a couple of years now, and I am intrigued with what she's been doing. Our joint work will culminate in a two-month exhibition at Walters Cultural Art Center in Hillsboro, opening December 2. I'm both scared and exited to be embarking on this project. It is going to be a challenging and exciting summer! Here's the work-in-progress for "You and Me": IMG_1786IMG_1791 IMG_1792

You and Me

Garden of Surging Waves Dedication by Lynn Adamo

Fish-at-nightSaturday, May 17, 2014, at 10:30 am, a crowd gathered at the corner of 11th and Duane Streets in downtown Astoria to officially open the first phase of the Astoria Heritage Square. Celebrating the contribution of the Chinese pioneers to this area, the Garden of Surging Waves is a tribute to the men and women who helped build Astoria. It will be a beautiful, meditative place for citizens to enjoy for a long time. The sturgeon mosaic in the Pavilion of Transition is a shiny, bright spot in the garden, and I am extremely proud to have been able to bring it to life, with the help of my nine fabulous assistants! Mayor Willis Van Dusen introduces garden designer Suenn Ho. In attendance, in the front row are Jordan and Arlene Schnitzer, key donors of the garden.

The Dragon Dance, by Portland Lee's Association.

Dancers getting ready to do the Southern Lion Dance.

Mayor Van Dusen "fishing for lions"

Dragon head, made of all recycled materials, brought up from San Francisco for the occasion by Recology, Astoria's garbage and recycling company.

Entrance to garden on 11th Street.

View to the Pavilion of Transition.

Jan Simmons, Bob Faber and Sue Johnson checking out the story screen and bronze scrolls.

Members of my team celebrating with me, L-R: Jo Six, Sue Johnson, me, Janie Van Domelen, Jan Simmons

The pavilion at night.

Monkey and dragon incense burner, lit up at night.

The salmon lantern casts lovely light on the sturgeon mosaic. The garden is breathtaking at night!

 

SAMA Conference Recap by Lynn Adamo

The 14th annual Society of American Mosaic Artists's conference was held in Houston, Texas, April 30-May 4. It was a great five days of networking, education and creative inspiration. This year I was able to simply be a participant, in contrast to last year when I was the co-lead artist on the Mosaic Marathon in Tacoma. It is a good experience to do that job once, but I was happy to be able to take a couple of workshops this year and just drop in for a two-hour session of the marathon, not be responsible for completing it! This year, Dianne Sonnenberg of Austin was more than up to the task. She and her Austin Mosaic Guild group created a very ambitious tryptich, that was not only big, it was sculptural and very involved. We were concerned they would not finish in time, but indeed they did! On Sunday I went on the bus that took a group of us to the installation site at Smither Park and watched the installation on the community-built, ongoing project that is the memory wall. Here is a photo recap of some of my experiences at the conference. Warning: 20 photos to follow. I won't be insulted if you don't look at them all! :-) Scott Fitzwater working on a panel for the mosaic marathon.

Me doing a little work on the marathon.

At the Salon, I'm posing with the buyer of my piece, Lynne Timm of Dallas.

In Guilio Menossi's Venetian method workshop. Challenging, trying to do precision cutting of smalti on the hammer and hardie. Great to learn; don't think I'll be incorporating this style in my work!

Friends from the Pacific Northwest! L-R: Jill McAvage Smith, Lori Taylor, me, Mark Brody, Scott Fitzwater.

 

Lori and I with our Australian friends Marian Shapiro and Dorothy Burke.

The Sturgeon mosaic displayed in the Mosaic Arts International exhibition.

Work by Guilio Menossi titled "Occhio." Exquisite example of his dynamic mosaic style. Jealous of Julie Dilling, who purchased this piece!

 

Detail of work by Emma Biggs, displayed in the MAI.

Memory Wall at Smither Park. A work in progress, executed by the entire community.

The wall looking down the other way.

Mosaic musician animals!

One of the Mosaic Marathon panels: SAMA members' contribution to the wall.

 

Dianne Sonnenberg and team preparing to install the panels.

 

Example of a sculptural dog taking shape on the wall. If I go back to Houston in 10 years, I doubt if this park will be finished!

 

Detail with a hummingbird.

 

The Austin team with the Dan Phillips,artistic director of the park and the wife of John H. Smither, visionary for this park.

 

Example of art vehicles. Houston is the Art Car Capital!

 

A way crazy art car.

 

Yeah, baby!

Annual SAMA Conference Time by Lynn Adamo

For the 11th year in a row, I'm heading to the American Mosaic Summit, aka the SAMA conference! This year it's in Houston, Texas, another U.S. city I have not been to before. Thanks to the Society of American Mosaic Artists and the world of contemporary mosaics, I've now been to Chicago, Miami, Washington D.C., Austin, TX and Lexington, KY, and Tacoma, WA, all because of SAMA conferences. They've also been held in San Francisco, San Diego and Mesa, AZ, which I had been to before there was SAMA. Each year, I eagerly await to hear where the next year's conference will be held. Maybe I'll be going to another new city next year! BosphorusDockside-300x215

I've also had the privilege to have work chosen for the juried exhibition eight times out of 11. Back in 2007, it was super exciting to get the call learning my piece, Bosphorus Dockside, was chosen for a juror's choice award! As the conference was in Mesa that year, I was able to have my whole family come out to see my work in the show. Coinciding with baseball spring training in Arizona didn't hurt either, since we're all fans! It was a great reunion and family vacation.

Sturgeon Mosaic, detail

This year, my Sturgeon mosaic, from the Garden of Surging Waves in Astoria, Oregon, was selected to be in the exhibition. It will once again be exciting to go to the gallery opening and celebrate with all my mosaic friends and colleagues.

During the conference, I will be taking workshops from Guilio Menossi and Emma Biggs, two masters of contemporary mosaic art. Very excited to learn new things and be inspired by these two.

Another fun event during the conference is the Salon and auction. Any conference participant is able to submit a work (unjuried) for show and silent auction. The piece I made for this year's salon is Still Life (after Morandi) Fun new style and subject matter for me.

Still Life (after Morandi)

Off I go to some sun and warmth in Houston! Warm weather, and more importantly, warm friendship and camaraderie from one fantastic group of artists!

Shute Park Library Pavers are Installed! by Lynn Adamo

Once again I lucked out with the weather for an install! Though the temps were pretty low in the mornings, it was dry, and the sun came out each day for glorious afternoons. Thanks to Laticrete's "One-Step" method, using the latex additive with the Permacolor grout proved to have two values. In addition to having our mortar be the exact same color as the grout we'd be using, the latex allowed us to install at temps as low as 35 degrees F. And did we come close! Tuesday morning dawned close to freezing. Peter Bral, my excellent tile installer, joined me at the library at 10 am to get started. Mixing, spreading and placing the mosaics was the quicker half of the install. We were done by about 12:30 pm. Placing the pavers in their spots. Colorful bookmobile parked at curb— staff is busy moving books back and readying library for Saturday opening.

More pavers ready to install.

Peter's trowel pattern is so cool! Inspiration for a future mosaic, I think!

Mixing grout.

Grouting these intricate mosaics is the slow part of the install. Both of us working allowed us to be done in one day. Peter is twice as fast as me!

Library director Mike Smith and I pose for Rick on this glorious afternoon.

Grouting complete!

Final touch-up and cleaning. photo by Kay Demlow.

All done!

 

 

 

 

 

 

 

 

 

Final Work on Shute Park Library Pavers by Lynn Adamo

Installation is next week! We are down to finishing up the four final pavers. This week I had help from my "J" team— Jan, Jo and Janie. Sue had already bolted to sunny Arizona, and Sandy is unfortunately down with a bronchial infection. But thanks to her stash of some light blue Cinca tile, we are able to finish the backgrounds of the frog totem pavers! I always aim to order more than enough material for projects, but it's a very difficult task. Apparently when doing the original spec, I thought I might use more of the glazed blue tile in those backgrounds than we ended up doing. But the Cinca coordinates well with the Briare Mazurka unglazed porcelain. Local volunteer photographer extraordinare Rick Paulson came by the studio on Wednesday to photograph us working. Here are the shots:

Jan Simmons working on the frog totem.

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We have a pretty good time in the studio!

Shute Park Mosaic Paver Project by Lynn Adamo

On February 1 we held the first public workshop day to begin fabrication of 15 pavers for the entrance plaza of the newly renovated Shute Park branch library in Hillsboro. Many people participated and everyone had a lot of fun doing mosaic! The second Saturday workshops were cancelled because of snow! The record snowstorm closed just about everything the weekend of February 8th, including the library. I rescheduled two other opportunities this week, on Wednesday and Friday. Our final day is Saturday, and there is a full slate of volunteers signed up to help out.

This project was funded by a grant from Regional Arts and Culture Council, The Friends of the Hillsboro Library and the City of Hillsboro. funder logos

Here are a few photos of the project in progress:

Gail Harris and Tim Gabriel concentrating on their work.

Lynn describing the process to a group of volunteers.

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The first tree design almost complete in my studio.

First "She Who Watches" totem finished.

First frog totem finished.

 

First pine needles and cones finished.

 

 

 

 

 

Sturgeon is accepted into MAI by Lynn Adamo

I got word today the the Astoria Sturgeon Mosaic was accepted into the Mosaic Art International 2014 juried exhibition! The show and annual SAMA conference will be in Houston this May. I am attending, and will be excited to see this work represented in the show. Here is a paragraph from the acceptance letter: Dear LYNN ADAMO, We are very pleased to inform you that your work, Sturgeon Mosaic , has been selected to be included in the Mosaic Arts International 2014 exhibition at The Williams Tower Gallery, Houston, TX.  We received over 300 entries from artists in 12 countries. The jurors carefully considered every piece and discussed the submissions at length. The jury selected 40 artists for inclusion in the MAI exhibition to be held from April 24 – May 30, 2014.

Me with the completed installation.

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Dynamic Continuum is complete by Lynn Adamo

Early Friday morning, in studio before packing for travel. One week ago today, I wrapped up the piece in bubble wrap and Bob and I carefully moved the work from the studio to our truck. We placed it on thick foam pads and drove it to Tualatin. For the first 15 minutes of the trip, I was a basket case, worried that something would happen to it while driving. After watching it through the cab window, I was finally satisfied it was not going to move in the truck bed, and we arrived at the library safely. We were greeted by Mark Brody, my friend and colleague who I hired to lead the installation. My client Becky Savino, of the City of Tualatin, and Brett, the facilities manager, were also on hand. My friend and photographer, Loren Nelson arrived shortly after we did to document the process.

Mark on scaffold screwing in the french cleat hangers with Bob consulting.

While Mark gets the hangers ready, Becky and Paul from the City check out the work and Loren gets ready to photograph.

Happy to be at this point!

Here we go!

Carefully lowering the work onto the cleats.

Is it securely on? It is!

On the wall!

Lynn and Becky with installed work.

Tualatin Centennial Project: Two weeks to go! by Lynn Adamo

I've made considerable progress on this project, which is essential, as installation is scheduled for December 19! This project is a unique challenge, in that many areas of the design have to evolve even as I'm doing the final creation of the work. It's exciting even if a little scary at times! Unlike other types of work I do, the Work-in-Progress photos don't often look good enough to show to the public. Unfinished and out of context, they don't work to give a good impression of what I'm aiming for. I was pleased that the shots I took yesterday are interesting and I like them well enough to post a few. The onion field has been planted!

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Tualatin Library Centennial Project by Lynn Adamo

I was awarded a commission to create a work of art to commemorate 100 years of Tualatin being incorporated as a city this past June. The ideas percolated all summer and into fall while I was working on the Astoria sturgeon mosaic, and while I was in Italy. Upon my return I had to jump in and move forward on it, as it is due to be complete and on the wall in the library on December 13! I'm calling this work "Dynamic Continuum" and it is inspired by many elements from the history of the area that became Tualatin. I discovered Tualatin has a rich history going back to the Atfalati native peoples, through the settlers who came over the Oregon Trail and established farms, homesteads, and industry. Sawmills, brick factories and quarries were early businesses that took advantage of the local natural resources. Ferries and steamboats went into use to transport goods and people, and on it goes through the years to the vibrant community it is today.

My task in the coming month is to take many elements inspired by this history and create a mixed media, bas-relief wall sculpture in honor of this history.

Here's the first installment of the blog that will follow the progress of this project.

Outline sketch of the piece.

Here's the wall in the entry of the library where the piece will go.

Bob cut the plywood support for me.

The back, showing the french cleats for hanging.

 

A mortar and mesh substrate was created and attached to the plywood support.

 

Bas-relief elements attached to the substrate.

Applying a coat of mortar to the substrate.

This is fun!

 

 

 

 

 

Sturgeon Mosaic Installation by Lynn Adamo

CarPacked I packed up the Subaru on Monday, October 21 and we drove over to Astoria to prepare for the big day.

Tuesday morning dawned clear and sunny. We couldn't have imagined  more perfect weather for the installation. Gorgeous, dry day in Astoria in late October? Wow!

Astoria City Hall across the street from the garden.

My installer for the project was Brad Laidlaw, of Campbell's Custom Tile. When I arrived, he was prepping the surface for installation. He needed to float some thinset to get the level up to the perfect setting height.

Prepping surface.

Beginning to lay out the sections onto the template.

I got to wear a safety vest! (didn't have to wear a hard hat, though!)

Floating a level surface of quick-setting mortar to the proper depth.

Drifitting

Dryfit complete, we're ready to set!

The stainless steel band was not 100% perfect, so I had to pull out a few tesserae and cut some new pieces to better fit the space. On one other edge, Brad used a diamond blade cutter to trim some excess, so it would all fit. Then, we were ready to set!

Hand piecing the edge.

Setting complete.

Let the grouting begin!

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Next week they will install the big stone pavers that will complete the paving around the mosaic.

I was hoping to go back on Thursday morning to get some shots of the mosaic with one night cure on the grout. But when we arrived, the mosaic was covered with the tarp, and they were using big trucks to shoot in topsoil in areas near the mosaic pavilion. There was also a huge crane truck that was being used to move pre-cast concrete blocks into place. So, we'll have to wait till after Thanksgiving to visit the garden when it's complete!

Week 10: Fabrication Complete! by Lynn Adamo

We did it! On Sunday, September 15, Karen and I put the finishing touches on fabrication. I am amazed that I hit the deadline that I'd originally set out for this project. I'm not completely done though. This week I'll clean the surface, mark and label the template and each section before stacking it up to store before taking it to Astoria. Installation is now going to wait until after I return from my trip to Italy, as the concrete pad for the mosaic has not been poured yet.Here are pics from the last week, including some professional ones by Rick Paulson, who is doing a project for the Hillsboro Arts and Culture Council, photographing Hillsboro artists in their studios.

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Next I'm moving a section from the ground to the studio table to finish.

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The crew in the studio for the final stretch.

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Portrait of the Crew by Rick Paulson. L-R, Janie Van Domelen, Sandy Arbogast, Karen Rycheck, Sue Johnson, Jo Six. Seated, me, kneeling, Jan Simmons.  Other team members not there are Scott Fitzwater, Richard Davis and Jennifer Kuhns.

 

Catching up on weeks 8 and 9 by Lynn Adamo

I'm a bit behind on the blog posts, but I allowed myself to slide because Karen Rycheck wrote two terrific blog posts of her own reporting on the progress made while she was working with me! Links to those here:mosaic-sturgeon-will-be-brightening-up-astoria/ mosaic-sturgeon-will-be-brightening-up-astoria-part-2/ On Thursday of week 8, we had a visit from Suenn Ho, the urban designer and designer of the Garden of Surging Waves. She was very pleased with how I've interpreted the concept of the sturgeon mosaic. Needless to say, I'm happy that she is positive about the work! One tweak we all agreed would be good was a slight revision to the sturgeons' eyes. They had been rendered very simply— with no pupils to speak of. We played around with some dark green tesserae and agreed that some "eye surgery" was in order. That afternoon Karen did the "removal surgery", and I followed with the "pupil transplant." The surgery was a success!

Lynn with Suenn in the studio

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The eyes are more animated now!

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Weeks 6 and 7 by Lynn Adamo

Time is flying! The last post was at the end of week 5 when Karen Rycheck was here to help. She took some great pictures of the progress up t0 that point, which I'll start this post with.This week I had help from Richard Davis and Jennifer Kuhns. Before getting to work on Monday, we had a terrific meal that Richard had brought to us. Below is proof we had fun, got work done, and ate well.

Working on Gil.

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Richard and Jennifer

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End of Week 5 by Lynn Adamo

A very productive week! Karen Rycheck came up from Talent, Oregon and put in 3 full days of work with us. By Thursday we'd completed sturgeon #2, the smallest one, and got a good start on the third one. We decided our fish needed names, so we've christened the first and largest one Stanley the sturgeon, our baby is named Gil, and the third is Wanda.Here are a few shots from the week.

Grinning Karen as she works on Gil.

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